"Gemini" is the creepiest thing they'd written in years at the time; a slow, simple riff with doomy ambience that really works and a solo that evokes Tony Iommi in his prime. Originally released in 1996, the album sees Slayer paying tribute to their hardcore punk influences with interpretations of songs by bands including Minor Threat, Verbal Abuse and TSOL. Undisputed Attitude is a fast, fun, angry and violent album, one that is a look into the DNA that makes Slayer's music (and thrash metal as a whole) tick. Listening to this album is like peering behind the veil of what made Reign In Blood so iconic a decade earlier. This album is not a showcase of slayers technical style or how "evil" they can sound. Complaining about monotonous vocals on songs like "I don't want to hear it" or "Violent Pacification" is really missing the point of these tunes. are done justice by Slayer's covers and then some. Compared with their working results, the two punk-influenced creations of Jeff Hanneman (R.I.P.) When I say "old school", I mean as in early 1980s, when hardcore was frenzied, furious at the world at large, got in, made its point, and got out inside of a minute and change, all at about 100mph, with ranting screaming vocals and energy to spare. Undisputed Attitudedig it; 2.6 average. If it no longer meets these criteria, you can reassess it. I also want to close this review by talking about Undisputed Attitude, because I think it frames a lot of what Slayer would go on to do with future releases. Just imagine slayers unrelenting speed/thrash style and punks raw aggression in one record. Im not a huge fan of slayer or anything, I don't even listen to that many punk bands, but this one delivered more than my expectations. Sure, it's pretty one dimensional, tom shouts all the time and there's a ridiculous amount of double time snare, but a) this is slayer b) covering hardcore punk c) so what did you expect d) dipshit. You have to wonder how much time this took to record- the vibe on the record suggests a very quick, warts-and-all recording, which is pretty ideal for this sort of music. Araya's vocals are just a bit overdistorted, but the guitars come in loud and clear, and provide the extra spark that the original punk bands sometimes had, and sometimes did not. The bass work is really proficient and the few bass leads that are sprinkled here and there are enjoyable and frequent enough to merit a passing mention. Wouldn't be too hard and it'd be a nice break from the sore throat barking. Tom Araya screams his head off in this one spewing all the pissed off, hate filled lyrics to fast thrashy riffs and furious punk style drumming making this an all out punk massacre!! as an example of extremely provocative sense of humour. Undisputed Attitude came out the summer before my senior year in High School and remained firmly ensconced in my cassette deck throughout that summer as my friends and I drove to hardcore punk and metal shows throughout the Central New York region. The riffs are tighter and heavier than ever and are the backbone of the album, giving each and every song a new lease on life. As he proved back in 1986, he can deliver the lines on even the fastest songs in a ranting and rapid-fire fashion, with a lot of precision and control. That’s about the only positive I can come up with however, as the music itself is one … Cash grabber?? No more words, just enjoy this 33-minute-long thrash/punk/hardcore fest! This said, the here presented attacks have absolutely nothing in common with the musical approach of the forefathers of punk. 'Gemini' is a very unusual track for the band as it is in fact a sludge/doom metal song; it's as if the band looked back on their influences on this album and then took those influences in a totally different direction. This was not Slayer, it did not sound like Slayer, it did not own at all. The drums sound punk and fucking clear, the bass is heard well.And fuck, even Tom Araya sounds punk! The level of creativity of most songs on here is shameful for a band that had released some legendary albums. Paul drumming is absolutely in its top form and every single beat could be clearly heard following his solid excellent performance in Divine Intervention. Try just simple stuff like "I hate you!!! Simple, three chord riffs with a few pretty fast 16th notes and solos thrown in- perhaps to thrash it up, I don't know- a polka beat with some extra speed added and the snare hit harder- lots of yelling with the occaisonal slower section or song thrown in for a breather- the epic doomy/sludge album closer that's "Gemini" being a rather cool- and rather surprising- example. It's kind of cover album but it also has their own songs. In case you didn't figure it out by now, I'm in love with Slayer. Minor Threat, T.S.O.L., The Stooges, Verbal Abuse, D.I., Dr. Know and hell, even Texas crossover gods D.R.I. From songs like "abolish government" and "Disintegration" which are blistering fast to songs like "Mr Freeze" and "DDAMM" that are more mid tempo to songs like "Spiritual law" and "Violent pacification" ,slayers style flows through evenly adding the element of heaviness and speed into punk, making it enjoyable for a wider audience-both metalheads and punks. The true faithful will want this and most likely really get off on it. Even though you should never judge a book by its cover, the cover art of this musical atrocity is equally atrocious and should, in … Production is pretty decent. The music is altogether very tightly performed and the sound is a clear and punchy one, with the guitars and drums simply being much heavier and louder than what those old bands could achieve. Did you find this review helpful in order to consolidate your maniacal interest in Slayer’s furious intent? But that is another story. This one is a weird album. The music on here doesn't age well and the level of understanding Slayer had of "hardcore punk" at that certain point in time is frankly embarrassing. If you don't, I hope it didn't take you this far into the review to realize that you'll hate this with every essence of your being. 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