That their sound plays such an outsize role in Anunaku’s “Bronze Age” is a pleasant surprise; it gives the music, nominally techno, a unique edge that brings it in line with the very special and very underrated records by onetime Steve Reich Ensemble member Glenn Velez. Diskomargaux” Creative Commons Attribution-ShareAlike License. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with prior written permission of Condé Nast. Sisso—head of Dar Es Salaam’s Sisso Studios, ground zero of singeli’s experimental underground—has the most hypnotic take of all. He…, Fredrik Falk is a music producer, event organizer and noise musician who lives in Oslo, Norway. The future is looking increasingly experimental, and Bandcamp Daily recently compiled a list of Ukrainian artists operating on the fringes of genres and expectations. The track itself is minimalist brilliance, but the song’s origin story and its dancefloor potency are what makes it such a compelling listen. Combining sessions at GRM recorded 30 years apart, this startling, mysterious piece brings O'Rourke's music full-circle. Her proper solo debut, released on Hyperdub this summer, is an even finer introduction to Haram’s world. Their debut release, a short EP of six tracks, is a riotous collection of experimental electronic music. Here, he takes a turn for the truly nightmarish and gothic, sampling everything from the Cocteau Twins to a Charlotte Gainsbourg monologue. Nkisi conjures a sort of introspective hypnotism through each of the seven percussive tracks on her full-length debut, all built around brain-rattling Congolese polyrhythms. Now he’s abandoned the name Lee Bannon all together, and along with it the easy logic of dance music to make eerie ambient pieces. “Tipu’s Tiger,” an improvised jam session between Yu Su and Mood Hut duo Pender Street Steppers, is even more laid back, ambling along an axis of bongos and mellow guitar, while “The Ultimate Which Manages the World,” takes a downright dubby turn. 218 listeners, Javascript is required to view shouts on this page. V/A releases. He deploys belching horns, bright drums, and distended samples that seem to come straight from the churning stomach of a massive whale. However, in this case, it refers mostly to electronic music as it took shape early on, when artists were still exploring the unique possibilities of electronically generated sound, as well as more recent music strongly indebted to those initial experiments. Then, six minutes in, the song finds its emotional anchor, as Bouldry-Morrison reads a buoyant note to her friends, her family, her listeners: “I love you! With this album, Crampton cements her place as one of the foremost minds in electronic music, and in the years to come we’ll still be figuring out what messages she left behind. Brian Leeds (aka Huerco S.) has logged enough hours in clubs around the world to watch this ghostly moment slowly take hold over a crowd. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. CN Entertainment. If there is anything that unites the music on our list of the best experimental records of 2016, it is the idea that aesthetic beauty and fun can come from unlikely places and from strange sources, be it the archival sounds of protests or the pitter patter of a washing machine. Here, she effortlessly flips the specter of colossal menace into a warm embrace. Check out the list for yourself here and explore a different side of Ukraine’s electronic renaissance. You mean so much to me.” It’s a deeply joyous moment. But a funny thing happens as the song continues its endless build: It pulls you in. If you have a burning hot desire to answer these questions, then you’re probably already obsessed with the RAP album. Looking for something outside of the techno and ambient music that Eastern Europe’s electronic scenes have become known for? Boards. There is a powerfully organic quality to Schaum: the sounds here are wet, diffuse, and filled with samples of chirps and quacks. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20). From Arca to Moor Mother to Tim Hecker to Meredith Monk, the best experimental records of the year. Their debut release, a short EP of six tracks, is a riotous collection of experimental electronic music. Leave feedback. His new brand of ambient is in no way music for airports. Bought the Farm is the debut full-length from Kansas City-based Puerto Rican artist Tito Fuego (who Huerco S.’s Brian Leeds cites as a mentor), and there’s something fascinatingly unkempt about this music “made by hand from trash and dust,” as the label bills it. He hasn’t unplugged, exactly: shot through with scraps of advertisements and other found sounds, Scrolls is as hyperactive as his most helter-skelter work. When you buy something through our retail links, however, Pitchfork may earn an affiliate commission. He collaborated with Joey Bad$$ and the Alchemist, making nostalgic hip-hop beats. All releases. Jefre Cantu-Ledesma is here to change that. Even by her standards, Branches on Ice is hard to wrap your head around. We don’t know, but we’ll find out,” muses a voice deep in Complete Walkthru’s Scrolls. Do you feel like Gang Gang Dance were never the same after Tim DeWitt left the band? –Philip Sherburne, At first, Powder’s “New Tribe” looms ominously. (via, If artists who experiment with the modalities of noise are sculptors—chiseling sine waves to do their bidding—then, Tim Hecker: “Castrati Stack” [Preview] But that’s exactly the kind of thing Powder would do. The BPMs are slow and sexy, and you’ll definitely feel them in your hips, too. It’s a treat for avid fans of electronic music, where creative progress often feels like it must be signified by deconstruction. In the breakdown of highlight “Little Birds, Moonbath,” a collaboration with fellow Vancouverite Michelle Helen Mackenzie, the sound of faraway rushing water sweeps against Mackenzie’s modular synth, which dissolves from a steady, soothing spiral into crystalline patterns that mimic bird songs. (via, a cover of the Velvet Underground’s “I’m Set Free,”, For Those of You Who Have Never (and Also Those Who Have). His debut full length as Dedekind Cut, $ucessor, illustrates the circuitous journey Warmsley took to figure out what he might be best at doing: making soundscapes of tape hiss, pained voices, and pointillist synths that are strikingly urgent. That same emotive quality distinguishes—arguably for the first time in his career since then—this year’s Slipping EP, specifically on “Burn,” featuring guitarist Mansur Brown and vocalist Infinite, who appears just briefly at the track’s beginning. integrated synthesizers and tape manipulations into their rabid experimentalism, but the two most important electronic artists to emerge from the scene were Kraftwerk and Tangerine Dream. Scrobble songs to get recommendations on tracks you'll love. But soon, the song’s steady groove and bright handclaps underpin a growing skepticism, as her perfectly intact heart begins to strike her as its own worrisome condition. In fact, all these names are alter egos of Allergy Season head Physical Therapy, aka Queens’ Daniel Fisher; the fake-comp gambit is merely a convenient means of cramming all his sprawling interests into one relatively svelte package. Sometimes synthesizer bloops and bleeps show up too, but with a percussionist this talented, they’re nearly unnecessary. From tongue-in-cheek house grooves from Nisantashi Primary School to the dystopian field-recording collages of Gamardah Fungus, this list exhibits an eclectic mix of the country’s most unique experimental acts. With Demon City she has invited a host of collaborators to write what she calls an “epic poem” that looks at 18th century revolutionary Bartolina Sisa and “transformative justice” through music. 810 listeners, Fredrik Falk It’s a song about communion, an invocation of the very act of coming together, and an irresistible reminder of why we do. Brief but illuminating set of compositions for a 1973 documentary about the first skiers' descent from the tallest North American mountain peak. Krautrock groups such as Can and Neu! He has described his new five-track cassette release, In Summer, as a “catalogue of photographs,” a strange description for drone. II: Reed Canyon (Instrumental) Electronic, Soundtrack, Instrumental. “Be Si To,” a play on “little kiss” in Spanish, is the most powerful of the songs from this EP on stalwart Dutch label Dekmantel. Artists. In this suite of 48 minutes of palatial ambient, including a cover of the Velvet Underground’s “I’m Set Free,” Eno attempts to tell the tale of “the apex of human technical power” thwarted by the random force of nature. The sounds they utilize can feel both primeval and dystopian: existing somewhere between Lotic’s free-flowing club music and Holly Herndon’s postmodern experiments. Game person. It’s a clever edit, upping the pace of an already speedy song, and using a stern, walloping kick drum to take the edge off the original’s goofy mood. Tireless as the Energizer Bunny and as tightly wound as the springs of a pogo stick, Schacke’s song was ubiquitous in techno clubs this year—a guileless anthem that flipped its cornball source material into something giddily optimistic and refreshingly pure at heart. ), What does New York sound like? He is a founding member of numerous bands including…, Mouse on Mars formed in 1993 when Andi Toma, from Dusseldorf, and Jan St. Werner, from Cologne, met at a speed metal festival in Stockholm and…, Japan based experimentalist Kyo Yanagi describes his alter ego as an experimental unit since 1998.
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