Their film, Le Silence de Lorna (Lorna's Silence), won Best Screenplay at the 2008 Cannes Film Festival and was released in Europe in the fall. Twenty years ago, it was Rosetta, and now it’s Ahmed (“Young Ahmed”, 2019). Before answering the questions put to them by Frémaux, they graciously gave way to a couple of representatives of a local collective, who spoke in the name the thousands of people whom the pandemic has pushed into poverty. “We thought, ‘My God, it’s terrible, we never thought that in our Western society a 15-year old boy could be turned into a religious fanatic who wants to kill the only person who helped him.’ Our goal wasn’t to find out how he became radicalized, but whether we would be able to save him. In 2016 they premiered The Unknown Girl (La Fille inconnue), starring Adèle Haenel as a young doctor who lets the door buzzer of her small clinic go unanswered one evening after work hours and then grows determined to discover the identity of the young woman found dead nearby when the police see from a security tape that she had been the person ringing at the door. The directors’ latest effort was the first time they broke the unspoken rule of not casting famous film stars. ", Bickerton, Emilie. The coronavirus is not responsible for everything, and there are still so many inequalities in the world. The effects are heart-wrenching but always handled with a rare compassionate and detached humanity. Luc Dardenne has described their process of working with actors as follows: "What we do with the actors is also very physical. What impressed most critics and makes this a modern classic in the eyes of many, is the empathy it evokes through stylistically detached neorealist rigour. Moving on to fiction films in the late 80s, they are widely appreciated for a signature neo-realist style, handheld shots. Looking back at the start of their career and the transition from documentary filmmaking, the brothers welcome what they call the “salutary flop” of “Je pense à vous” (1995). We do not tell them what the tone of their lines should be; we just say that we will see once the camera is rolling. "The Art and Politics of the Dardenne Brothers. In 1975 they established Derives, the production company that produced the roughly sixty documentary films they made before branching into feature films. For the first time however, this Cannes rewarded script introduces a new-found veil of mystery, moving significant and climatic parts of the drama off-screen. “Each person we filmed was unique, had their own story. Coming from the world of documentaries is what helped them craft their distinct, uncluttered style. [9], Luc (right) and Jean-Pierre Dardenne at the, Academy Award nomination for Best Actress, Academy of Motion Picture Arts and Sciences, People's Choice Award for Best European Film, Festival International du Film Francophone de Namur, "The Jury for the Cinéfondation and Short Films", "Cannes 2019: Belgium's Dardenne brothers win best director for Young Ahmed- Entertainment News, Firstpost", "Magritte: Pluie de nominations pour les Dardenne et Lucas Belvaux", "César Winner Adèle Haenel To Lead Dardenne Brothers Next Film 'The Unknown Girl, Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne, Left-over spaces: The cinema of the Dardenne brothers, Committed Cinema: The Films of Jean-Pierre and Luc Dardenne; Essays and Interviews, Filmjourney.org: Interview with the Dardennes, Interview with Jean-Pierre and Luc Dardenne, directors of Lorna’s Silence, https://en.wikipedia.org/w/index.php?title=Dardenne_brothers&oldid=983966854, Creative Commons Attribution-ShareAlike License, Crystal Simorgh for Best International Film, West, Joan M., West, Dennis. They write, produce, and direct their films together. The brothers said that a lot of the work is done well before the camera starts rolling, during the weeks of rehearsal that precede the shoot.
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