Bei ihrer Fertigstellung war Michelangelo Mitte zwanzig. It’s “Carrera” marble not “Carrara”. Historians argue that the figure can either be Joseph of Arimathea or Nicodemus, the latter of which is most generally accepted. Michelangelo carved the Bandini Pieta between 1547-1555, when he was nearly 80. The sculpture is housed in the Museo dell'Opera del Duomo in Florence and is therefore also known as the Florentine Pietà. Upon this inquisition, Michelangelo began to fear for not only his life but also for those he knew including those who were involved with the Spirituali. "Er gab die Pieta auf, mehr noch, er versuchte sie zu verstümmeln", erklärt der Direktor des Dommuseums. [16] The leg represents one taking possession over the other in such a way that is both symbiotic and respectable at the same time. Bei der eingehenden Untersuchung vor der Reinigung, stieß man auf unterschiedliche Substanzen auf der Marmoroberfläche, zum Beispiel Wachs, die von der bewegten Geschichte der Skulpturengruppe erzählen. Besucher in begrenzter Zahl können dann wieder bei der Restaurierung zuschauen, maximal fünf Personen gleichzeitig. Nicht nur der Joker: Für Nachdrehs zu "Zack Snyder's Justice League" kehrt noch ein DC-Bösewicht überraschend zurück, Qualifying wegen Gully-Panne von Vettel verschoben. (Claudio Giovannini/Opera di Santa Maria del Fiore via AP), Connect with the definitive source for global and local news. (I cited my sources, don’t worry.). [20] However, they also believed that salvation could be reached through baptism, communion, and faith alone. Die Skulptur zeigt vier Figuren: den toten Körper Jesu Christi, der neu vom Kreuz genommen wurde, Nikodemus, Maria Magdalena und die Jungfrau Maria. [2], According to Vasari, Michelangelo originally made the sculpture to decorate his tomb in Santa Maria Maggiore in Rome. Florence’s Museo dell’Opera del Duomo said Wednesday, Sept. 16, 2020 that the cleaning of the Bandini Pieta, which began last year but was suspended because of the coronavirus pandemic, had resumed and that the public was now invited to watch restorers at work. Another noteworthy incident after the carving was complete involves the inscription on the diagonal band running over the Virgin’s torso. It is unknown whether or not the Virgin was present during Christ's entombment because only one of the apostles recorded her presence, so she is rarely depicted. ROME (AP) — A restoration of one of Michelangelo’s sculptures of the Madonna and Christ has uncovered previously unknown details, including the artist’s tool marks, that had been hidden under centuries of dust and wax.
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