Fangrrls is about kicking down doors, breaking boundaries and celebrating female fans with fun, witty and entertaining content. Possessor opens in select theatres on Friday, October 2, 2020. On paper, it sounds like an easy job, but Vos’ mental well-being has been growing increasingly erratic as of late, with the assassin pining to spend more time with her estranged ex-husband (Rossif Sutherland) and young son (Gage Graham-Arbuthnot). Apollo 10 1/2 wrapped production back in March and will debut on Netflix at an undisclosed date. Since last year, Netflix is up 76 percent, YouTube is up 96 percent, Hulu is up 68 percent, and Amazon is up 106 percent. Directed by Brandon Cronenberg. If seeing a film in cinemas, please take all necessary precautions. Through major technological advancements, Vos is able to infiltrate and control the mind of an unwitting subject, forcing them to carry out executions on high profile targets. In that 10-week period, over 1 billion minutes of content were streamed. For context, only 799 million minutes were streamed in the same time span in 2019. Riseborough and Abbott – two of the most underrated talents working today – are exceptional when it comes to wrestling with loss of the mental and physical self, expertly understanding the tone Cronenberg is trying to achieve and delivering some solid dramatic bedrock for the writer-director to work with. Possessor, the second feature from Canadian filmmaker Brandon Cronenberg, is a well crafted, but curiously unengaging psychological thriller.Although every scene of Cronenberg’s latest looks elegantly composed (even at its bloodiest) and the leads are well suited to the filmmaker’s icy stylistic choices, Possessor is a rather empty film to sit through. leaves not so much as a trace on the mind of the viewer.
Find where to watch Possessor in Australia. Possessor is a film built on wonderfully captured images that doesn’t add up to much as a whole. Riseborough and Abbott – two of the most underrated talents working today – are exceptional when it comes to wrestling with loss of the mental and physical self, expertly understanding the tone Cronenberg is trying to achieve and delivering some solid dramatic bedrock for the writer-director to work with. Streaming figures will probably continue to increase for the foreseeable future, so long as platforms like Netflix, Disney+, and Hulu have exciting new shows and films to debut such as The Umbrella Academy Season 2 (July 31), Project Power (August 14), The Mandalorian Season 2 (October), and Helstrom (October). Streaming up 85% since March; Possessor trailer gets real weird; and Richard Linklater's animated Apollo 11 film. In particular, Netflix nabbed 10 million new subscribers in the second quarter of 2020, blowing away early estimates of 7.5 million and setting a new Q2 record for the company. Tasya Vos (Andrea Riseborough) is a new breed of assassin. 6.3 Streaming Guide Movies Science Fiction. Now streaming on: Powered by JustWatch. What it’s not, however, is entertaining or intellectually satisfying. It’s in, out, and done before the viewer knows it, which would be fine for a film built on dumb theatricality, but not so great when a filmmaker is trying to make something smart and artful. Like Comic-Con. One keeps waiting for any moments of genuine suspense or intrigue to arrive during, , but there are few to be found. There are also some potentially intriguing story elements and notions that are introduced, only to be unceremoniously dropped without notice or resolution, leading one to think that this movie (which is being widely marketed as “uncut,” in a nod to the buckets of gore throughout) has been significantly pared down from a longer, more ambitious narrative, either in the editing room or at the scripting stage. Once all of the narrative cards have been neatly arranged by Cronenberg face up on the table, it’s easy to see exactly where the story is headed, making, a film that brings a lot of fire and fury for such minimal, obvious payoff. watch online Watch Possessor. There’s balletic bloodletting, melting flesh, ominous skylines, great use of Toronto area locations (particularly the CBC building, here subbing for Colin’s workplace), musings on the ways technology has changed how we process humility and empathy, psychosexual deviations, frantically strobing montages, and colour coded lighting schemes. Cronenberg’s script for Possessor is built around a rather traditional assassin/patsy dynamic, with not much changing except for the stylistic choices being employed. There has been some degree of thought and care put into it, especially when it comes to the themes Cronenberg wants to place front and centre. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. The effort is appreciated, even if Possessor falls short of success. "In this film in particular, I would say that the violence is extremely narrative. Oblivion's Andrea Riseborough stars as Tasya Vos, an elite corporate assassin who uses futuristic brain-implant technology to take over people's bodies in order to kill high-profile targets. Except every week in your inbox. "Our unique animation style allows both the conjuring of a world long gone, and the flowing, playful expression of memory and imagination. It’s a film that’s trying hard to mask the fact that there’s little new life being breathed into such a well worn storyline.
Specific to Possessor, how Tasya’s “jack-in” moment à la The Matrix takes a prosthetic of Riseborough’s figure, puddles it away like those “chocolate Easter bunny meets hot hairdryer heat” videos, and replays the same footage in reverse but with Christopher Abbott’s “double” to denote Tasya’s new vessel. The COVID-19 pandemic has wreaked havoc on nearly every facet of normal life, but there is one area where the health crisis has proved wildly beneficial: video streaming. Reviews Possessor Sheila O'Malley October 02, 2020. The film’s anti-corporate stance is also a lot more subtle and well rounded than the one found in Cronenberg’s debut feature, Antiviral. Movie Reviews Great Movies Collections TV/Streaming Features Chaz's Journal Interviews. Cronenberg’s passion for composition is so great that it almost makes up for his comparatively passionless script. What it’s not, however, is entertaining or intellectually satisfying. that truly shocks is the writer-director’s staging of an admittedly gutsy climax, but even that moment of brutality is so highly telegraphed that it barely registers on an emotional or intellectual level. The movie was written and directed by Linklater, who based the story on his own childhood experiences in Houston, Texas.
It’s been a fun, creative journey to incorporate things like 3D graphics into a live-action shoot to help bring this story to life.". Possessor is professionally made to high aesthetic standards, suitably transgressive, and detached without being altogether emotionless. isn’t an intelligent film. is at its most openly grotesque and violent. Although it looks like the sort of refined and “elevated” horror that’s all the rage at the moment, Cronenberg’s latest doesn’t shock or excite with its pedestrian and predictable storyline.
Possessor, the second feature from Canadian filmmaker Brandon Cronenberg, is a well crafted, but curiously unengaging psychological thriller. Public places of entertainment (mainly movie theaters) are hoping to reopen in late July/early August, but with virus cases spiking around the country, people may continue to give them a wide berth. There’s balletic bloodletting, melting flesh, ominous skylines, great use of Toronto area locations (particularly the CBC building, here subbing for Colin’s workplace), musings on the ways technology has changed how we process humility and empathy, psychosexual deviations, frantically strobing montages, and colour coded lighting schemes. Andrew Parker fell in love with film growing up across the street from a movie theatre. But much like a hypnotist (or futuristic wetworker). It’s in, out, and done before the viewer knows it, which would be fine for a film built on dumb theatricality, but not so great when a filmmaker is trying to make something smart and artful. Although every scene of Cronenberg’s latest looks elegantly composed (even at its bloodiest) and the leads are well suited to the filmmaker’s icy stylistic choices, is a rather empty film to sit through. Subscribe to our mailing list and get interesting stuff and updates to your email inbox. Richard Linklater (Dazed and Confused, A Scanner Darkly) is blasting off into outer space with his next feature, Apollo 10 1/2: A Space Age Adventure. Check out the strange, atmospheric, and graphic Red Band teaser trailer for Possessor, an upcoming sci-fi thriller written and directed by Brandon Cronenberg. Once all of the narrative cards have been neatly arranged by Cronenberg face up on the table, it’s easy to see exactly where the story is headed, making Possessor a film that brings a lot of fire and fury for such minimal, obvious payoff. Vos’ latest unsuspecting rube is Colin Tate (Christopher Abbott), a somewhat reformed cocaine dealer who’s living the high life as beau to the daughter of a wealthy corporate raider (Sean Bean).
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