| Synopsis: A very hard drought devastates an ancient Mexican empire. With Rodrigo Puebla, Rafael Cortes, Amado Sumaya, Socorro Avelar. A peasant, Ollin, participates in the research and finds Coatlicue, and while she recognizes that the Aztecs have been abandoned, she decides to help them. A group of priests return to Aztlan, the mythological place where Mexican culture was born, to pray to the goddess Coatlicue and stop the drought. Menu. Warriors and priests fight for power while people are dying. So what? At first, a powerful god is chosen but he balks at the moment he was to jump in. [2] Screenplay was written by Juan Mora Cattlet totally in náhuatl advised by archaeologists and anthropologists, thanks to several scholarships of Foundation John S. Guggenheim, UNAM, INAH, ISSSTE and other official grants after an investigation of five years. The film's plot was criticized for being difficult to understand for the general public, and that the appeal of the film was "rustic". Important movie because there are so little movies that tried to capture the essence of the world before the spaniards came, almost all the movies are about the clash and colonization of civilizations. Return to Aztlan analyzes the social process of international migration through an intensive study of four carefully chosen Mexican communities. The narrative then returns to the older Tlacaelel, who determines that this episode is too insulting to a people and god as powerful as the Aztecs and Huitzilopochtli, so he destroys the records. A group of priests return to Aztlan, the mythological place where Mexican culture was born, to pray to the goddess Coatlicue and stop the drought. The expedition is murdered by the indios, only the priest is sparred. Original title: Retorno a Aztlán (In Necuepaliztli in Aztlan). From Saint Maud to The Wicker Man here are some British horror movies that are certain to keep you looking over your shoulder for weeks to come. It premiered on November 6, 1990 in the Sala José Revueltas of the UNAM's Centro Cultural Universitario. A young woman fights Spanish Conquistadors to protect her people. "In Necuepaliztli in Aztlan" opens with a depiction of an Aztec creation myth. Carro also praised for achieving its own aesthetic, having avoided depictions of foreign cinema and those in the Maya codices, although he criticized that at certain times the plot seemed incomprehensible to “inexperienced viewers”. [8][9], "Retorno a Aztlán (In Necuepaliztli in Aztlan) - Instituto Mexicano de Cinematografía", "Apocalypto se inspira en Retorno a Aztlán - CorreCamara.com.mx", https://en.wikipedia.org/w/index.php?title=Return_to_Aztlán&oldid=982254314, Wikipedia articles to be checked after translation, Wikipedia articles to be checked after translation from Spanish, Creative Commons Attribution-ShareAlike License, Juan Mora Cattlet, Jorge Prior, Jaime Langarica, This page was last edited on 7 October 2020, at 01:26. A group of priests return to Aztlan, the mythological place where ... 1 of 1 people found this review helpful. Return to Aztlán (In Necuepaliztli in Aztlan, original title in Náhuatl) is a Mexican fiction film directed by Juan Mora Catlett starring Rodrigo Puebla, Rafael Cortés, Amado Zumaya, Socorro Avelar, made in 1990. Add the first question. (1990). Directed by Juan Mora Catlett. In the Aztec territory governed by Moctezuma The Old, there is a grave drought. It was the first feature film filmed in Mexico spoken entirely in Náhuatl, subtitled in Spanish in exhibition. Use the HTML below. The real image of ancient Mexicans that should be shown. Instead a humble, naked and sore-covered god is chosen, who bravely surrenders himself to the flames. | Looking for some great streaming picks? Film critic Nelson Carro praised the imagination and talent of the film, having re-created the look of pre-colonial Mexico despite a small budget, although he criticised some scenes for looking more like a documentary. Keep track of everything you watch; tell your friends. The book combines historical, anthropological, and survey data to construct a vivid and comprehensive picture of the social dynamics of contemporary Mexican migration to the United States. The advisers of Moctezuma, anyway, decide to murder Ollin.[2]. The production was on charge of the director, Jorge Prior and Jaime Langarica, as well as of the companies Productions Volcano, Cooperative José Revolved, the UNAM, and IMCINE. Name: Instructor: Date: Return to Aztlan The term Social capital is defined in different ways, depending on the discipline of concern. | Taglines Warriors and priests fight for power while people are dying. A very hard drought devastates an ancient Mexican empire. He accused also that after view the trailer of the film, he believed that some scenes of Gibson's film had been copied from Return to Aztlan. The book combines historical, anthropological, and survey data to construct a vivid and comprehensive picture of the social dynamics of contemporary Mexican migration to the United States. At early 16th century a priest joins the spanish conquerros in order to bring christianity to the indios. Advised by his priests headed by Tlacaelel, the ruler accepts going to search the goddess Coatlicue, aiming to ask her help to avoid a catastrophe. View production, box office, & company info. [3], It was exhibited in the Latin American Film festival of Biarritz under the title Retuour to Aztlán, where it was well received, with special praise to the film's realisation. The territory they explored subsequently became ... See full summary ». It was filmed in 1990 in Hidalgo and Mexico states locations. Five gods are seated around a sacred bonfire to choose one of them to sacrifice himself to become the Fifth Sun (that is, the Sun of the current creation). Summary. Santiago, the... See full summary ». I have always imagined this kind of myth and magic worlds as a video game like Zelda, in which one has to complete missions, meet gods and avoid the world crumble and succumb. Maximiliano Maza
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