“We want to let life take its course and let this music continue to be the soundtrack to it. “It’s both entertaining and charming, and a natural progression of our sound.
I’ve been fortunate to have been playing music with these great musicians for 18 years, and hopefully for many more to come.”, That wish seems genuinely likely, given how the base of the audience continues to expand. He’s such a marvelous, gifted, clearly classically trained player.”, After Glen Burtnik left the clan in 2003, there was only one name that made sense to join the STYX party: Ricky Phillips, a multi-instrumentalist who’s handled a number of musical tasks for the likes of the Babys, Ronnie Montrose, Bad English, and Coverdale Page. The space saga that is the crux of the music that makes up The Mission is just the kind of envelope-pushing creative endeavor Shaw refers to above. With a little help from their many friends in Cleveland’s Contemporary Youth Orchestra, One With Everything (2006) is a hybrid orchestral rock blend for the ages, while Live at the Orleans Arena Las Vegas (2016) documents their present-day prowess. Dexterity. With this incarnation of the band, the pursuit of excellence is more intense than ever, except now our approach is much more nuanced.”, Producing top-drawer recorded A/V talismans is a vital element of the ongoing STYX story, but the band understands it shares a most sacred bond with the fans who have grown up with them and continue to come out regularly to live shows as well as with those audience members who are seeing them for the first time.
“Having Chuck there gives us an additional direct connection to source,” says JY about the man in whose Chicago basement the foundation for STYX was poured back in 1961 when STYX precursor The Tradewinds (later known as TW4) was forged. That taught us so much about stage presence.
“When we come offstage at the end of a show, there’s always a sense of elation,” reports Chuck.
“Before every show, we think about the dynamics of what we do,” explains Tommy. Those guys had their own language established pretty quickly.” Raves Todd, “As soon as I heard the name Ricky Phillips, I was like, ‘Oh, it’s gotta be him!
Todd confirms that Chuck was A-OK with him laying down the backbeat.
“The legacy of this band will be that it brought joy to millions of people,” notes Todd. The rare art rock band with commercial success, capable of producing monster hits with stadium rock, sweeping power ballads, and concept albums.
But my favorite show last year was STYX.’ I like to say we’re the best-kept secret — but perhaps we’re not anymore.” Adds the perennial wunderkind Tommy Shaw, “There are so many portals to reach your musical soul, and our live show is like a religious experience where people come to commune and testify.
Terms that describe a Super Bowl champion?
“I find a symmetry with the give and take and all of the different emotions we touch upon. And he can sing, too.
For one thing, he has fusion-level chops, and that brings an element to this band that I love.
And this band’s photo album will continue to evolve as long as we live and play this music.”, Let the final assessment go to Chuck Panozzo, who has a knack of always being able to find a way to bring the best of STYX past, present, and future all together in one place, as he does while assessing the new album and the anticipated achievements to come: “The Mission is a sincere and honest representation of how STYX built upon where we were in the 20th century in order to go somewhere new in the 21st century.”. “There’s a lot going on up there.
“You need specialists,” JY clarifies. I think our level of professionalism, musicianship, and spirit carries that across every night. And that’s really the gist of the overall mission surrounding The Mission, STYX’s bold sonic voyage into an exciting new frontier with the goal of discovering how the universe’s mysteries unfold — and then creating the perfect soundtrack to accompany it, both on record and onstage.
Anything we can do to make the songs better — that’s what we do.
I love a drummer who can turn that on when he needs to. “We’ve always tried to explain why this is this happening.
It’s the live embodiment of a good book that will make you smile, laugh, and listen.”, Honing that special level of stagecraft comes from the discipline to dig into the live trenches and practice your trade in front of as many people as you can. What I think my brother gave to me was the ability to realize that we became so skilled as a rhythm section that I could perform with or without him.
I remember after we did our first show together [in 2003] — when we were taking our bows, I gave him a big hug and said, ‘I knew it! And then we incorporate them into that night’s show.”, The next necessary component of the collective excellence came to light when a Canadian by the name of Lawrence Gowan opened for STYX in Quebec City in 1997 — just a man and his piano, buttressed by a large crowd whose rabidly enthusiastic response to a purely solo one-man set laid the groundwork for the next recruit. Basically, it’s become more like it was in the ’30s, ’40s, and ’50s: It’s back to being all about going to see it live. From the progressively sweeping splendor that is “The Grand Illusion” to the hunker-down fortitude of all that is the “Blue Collar Man,” from the majestic spiritual love for a special “Lady” to the poignant rumination on the fleeting nature of fame in “Miss America,” from an individual yearning for true connection as a “Man in the Wilderness” to a soul-deep quest to achieve what’s at the heart of one’s personal vision in “Crystal Ball,” from the regal reach-for-the-stars bravado of “Come Sail Away” to the grainy all-in gallop of that rugged “Renegade” who had it made, the band draws on an unlimited cache of ways to immerse one’s mind and body in their signature sound. But I told him, ‘I’m not going to jump over your drumset, and I’m not going to strangle you.
The storyline was forged to reflect the viewpoint of the six-person crew enlisted for the maiden voyage of Khedive, the first entry in a new fleet of nuclear-powered interplanetary spacecraft underwritten by the Global Space Exploration Program (or GSEP, for short).
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