They challenge each other to grow. : : : Don't put your shit on the floor. So those who do are ridiculed, and those who don’t must find something to exult in. [to Kenny's back] positive elements: Life isn’t easy for these families, but this film lauds reconciliation and perseverance wherever it can. : The colors are different. Excuse me, I ain't walkin on egg shells just cause you brought the Brady Bunch to the negro club. Official Sites Spotlighted scenes from the Joffrey ballet that Sara and Derek attend together emphasize the harmony of men’s and women’s bodies in very sensual ways. Sara
The only people who appose her are Malakai (because he feels like his best friend is being taken from him) and Nikki (because she’s upset her boytoy left her for a white girl).
We need movies with Black ballet dancers that are the main stars. Who? A white midwestern girl moves to Chicago, where her new boyfriend is a black teen from the South Side with a rough, semi-criminal past. :
Save the Last Dance tackles touchy urban issues such as the need for strong, responsible African-American men in inner-city communities. And yes, all of that happens. Snookie : Sarah lost her mother. No one denies these things. ( Log Out /
Sarah glides through a black school and the black community in with an enormous amount of privilege and a high adoration level from almost every black person she meets. : That's what you're good at!
Chenille Reynolds (Kerry Washington) asks this of Sarah Johnson (Julia Stiles) in a pivotal moment of the film Save the Last Dance. NYU Tisch alum. The thing that sets this film apart has always been the racial element. Chenille She needs a reason to pursue ballet in spite of her grief and regret over her mother’s death. If you care anymore the Small Playground Near Chenille And Derek's House is in the 1300 block of South Millard (around 1329 South Millard Avenue) Reply Delete. At the end of the movie, Sara’s big dance scene, back then I thought it was beautiful how they put the Black woman dancer’s shadow underneath Sara as she danced, but now I see it as suppression.
violent content: Two car-crash scenes are not graphic, but briefly show bloody injuries. It doesn’t glorify Chenille’s life as a single mother, but shows the heartbreak of raising a child whose father is unreliable and unsupportive. Additionally, several conversations—mostly among teen guys—include crude and disrespectful references to sex. : She treats Chenille’s words as meaning she doesn’t belong there, but what Chenille was trying to do was get her to become more aware of how much easier things have been for her. This site uses Akismet to reduce spam. From the moment they clash in English class you tell it’s a two-worlds-meeting kind of romance where a privileged white girl is taught about dancing and life by a man of color so she can be enriched, follow her dreams and go on with her life.
| There is obvious growth associated with leaving behind a comfortable world (“where everything makes sense”) and becoming vulnerable in a place where life is raw. Change ), You are commenting using your Facebook account. He’ll be gone all night.”) Sara and Derek also stage a public makeout session on the subway in order to disgust and embarrass a nosy and judgmental fellow passenger. Drive-by shootings.
Quit it, Nikki. But Chenille still has a point. Replies. He needs a shove to walk away from his “thuggin’” pal Malakai and go after Georgetown and med school.
The story of Save the Last Dance is a generic one.
: But her closeness with her mother is showcased, and even with Dad, there’s hope. The film could have still worked in a scenario where Sarah confronts her whiteness instead of running away from it. Ah, come on, you know you wanna dance with me.
Sara But Sara’s sights are set much higher than Midwestern community auditoriums—she wants Julliard. A perfectly happy ending.
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That’s very sad. Throughout the film we see Chenille struggling as a single mother. Save the Last Dance is a 2001 American teen dance film produced by MTV Productions, directed by Thomas Carter and released by Paramount Pictures on January 12, 2001. Change ). Go 'head... Leave! Chenille
This reveals the weakness of her character. : : Chenille
The hip-hop style of dance that’s at the artistic center of the movie pulses with sexual energy.
B–ch and a– also get a workout, most often representing the misogyny of gangsta-speak. Chenille Chenille Too many little boys thinkin' they thugs. Though at first he seems to mirror her aloofness, Roy makes the right choice and deliberately begins doing things to care for Sara.
There she meets Derek Reynolds (Sean Patrick Thomas), Chenille’s brother and her obvious love internet. Certainly. Filming & Production View all posts by Jourdain Searles. Unfortunately …. The flaw in Save the Last Dance is the fact that it revels in hip-hop’s beauty without acknowledging its error. Because in this crowd you're going to have to be a bit more specific. Halfway through the film, Derek gets into Georgetown, which makes his departure from his sister’s life eminent.
Derek struggles with the choice between loyalty to Malakai (“I’m down wit him; I’m just not down wit what he does.”) and the higher good of avoiding revenge and possible murder. Perhaps is it had gone this route, this film would be better remembered. But the film frames it as if she’s just a bitter black girl whose mad because of her ghetto life and takes it out on a “poor white girl” who didn’t do anything wrong. Sarah even brazenly stands up Malakai (Fredro Starr), a dangerous drug dealer, and always avoids retaliation from him. But the context is different, because Chenille has nothing to gain from breaking this concept down to Sarah.
Save the Last Dance (2001) Kerry Washington as Chenille.
We have so many dance movies. crude or profane language: Dozens of instances. Chenille is giving Sarah a cultural lesson, but Sarah sees it as an attack. : : Hardly. The 2000s gave us Save the Last Dance and some other epic dance films — from Center Stage to Step Up to Stomp the Yard. She wasn’t telling Sarah she had to break up with Derek, Chenille just wanted her to understand a cultural context Sarah wouldn’t otherwise be privy to. Diggy The first time I watched Save the Last Dance I was 10 years old.
I was really disappointed that they took out scenes with Chenille. But, as Chenille says, “gettin’ the he– up outta here” is tough, and not many can manage it. “Open up your pretty brown eyes and look the Hell around!”.
conclusion: Save the Last Dance nicely captures the contrast between Sara’s old world and her new one.
Change ), You are commenting using your Google account. Sara If Save the Last Dance really wanted to be revolutionary, it would have engaged authentically with Chenille’s words.
Chenille is giving Sarah a cultural lesson, but Sarah sees it as an attack. Stiles plays Sara, a white teenage ballerina who moves to Chicago to live with her estranged dad after her mother passes away.
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