Seit dem Jahr 2001 läuft in der Sankt-Burchardi-Kirche das langsamste Musikstück der Welt. The score of Variations III (1962) abounds in instructions to the performers, but makes no references to music, musical instruments or sounds. Estudió junto a los compositores estadounidenses Henry Cowell y Adolph Weiss y revolucionó la música contemporánea dotándola de un lenguaje caótico, continuando la trayectoria de Edgar Varèse y Charles Ives. [118] The development of electronic music was also influenced by Cage: in the mid-1970s Brian Eno's label Obscure Records released works by Cage. Die High-School schloss Cage 1928 mit der höchsten bisher vergebenen Punktzahl … [101] In 1983 he started using various unconventional materials such as cotton batting, foam, etc., and then used stones and fire (Eninka, Variations, Ryoanji, etc.)
[12] His father, John Milton Cage Sr. (1886–1964), was an inventor, and his mother, Lucretia ("Crete") Harvey (1881–1968), worked intermittently as a journalist for the Los Angeles Times. This was a reflection of my engagement in Zen." Cage quoted in Kostelanetz 2003, 1. He was taken to St. Vincent's Hospital in Manhattan, where he died on the morning of August 12. Performed by the composer in 1976, shortly before he had to retire from performing. : solistische Männer- oder Frauenstimme mit... Das Streichquartett hat innerhalb der Kammermusik seit der Wiener Klassik (nach 1781) maßstabsetzenden Rang. [76] Nevertheless, ever since arthritis started plaguing him, the composer was aware of his age, and, as biographer David Revill observed, "the fire which he began to incorporate in his visual work in 1985 is not only the fire he has set aside for so long—the fire of passion—but also fire as transitoriness and fragility." The Rest isn't Silence... it doesn't exist!
2012. Keiner muss hierherkommen.
Der im kalifornischen Exil lebende ARNOLD SCHÖNBERG unterrichtete ihn privat und in seinen Kursen an der University of California (LA) unter der Bedingung, dass CAGE sein Leben der Musik widmet. Está disponible una nueva versión de Last.fm. 1930 machte er eine fast zweijährige Europareise. Wir hoffen darauf, dass es Leute gibt, die das Projekt weiterbetreiben werden. Angeregt dadurch arbeitete er in seinen Kompositionen häufig mit Stille als musikalischem Element. An article by teacher and critic Michael Steinberg, Tradition and Responsibility, criticized avant-garde music in general: The rise of music that is totally without social commitment also increases the separation between composer and public, and represents still another form of departure from tradition. For details on Cage's ancestry, see, for example, Nicholls 2002, 4–6. [93] Some of Cage's graphic scores (e.g.
Gis und E. Warten auf den Neuanfang.
* 06.07.1898 Leipzig† 06.09.1962 BerlinHANNS EISLER gehörte zu den einflussreichsten deutschen Komponisten des 20.... Der Begriff „elektronische Musik“ wird für eine Vielzahl verschiedener Musikrichtungen gebraucht. CUNNINGHAM, Choreograf und Tänzer, hatte ein Ensemble für Modernen Tanz ins Leben gerufen, dessen musikalische Leitung CAGE bis 1968 übernahm. TUDOR war der wichtigste Interpret seiner Werke. The piece is a chance-controlled reworking of Erik Satie's Socrate, and, as both listeners and Cage himself noted, openly sympathetic to its source. In these works, Cage would borrow the rhythmic structure of the originals and fill it with pitches determined through chance procedures, or just replace some of the originals' pitches. The first performance had Cage write that sentence. The work comprises two lithographs and a group of what Cage called plexigrams: silk screen printing on plexiglas panels. Instead, they are left to chance. An der New School of Social Research in New York begann er 1956 eine Lehrtätigkeit. Cage, John. Die musikalische Formenlehre ist ein Teilgebiet der Musiktheorie. I have the feeling that sound is acting. M was first published by Wesleyan University Press in 1973. The result was a mass superimposition of many different musics on top of one another as determined by chance distribution, producing an event with a specifically theatric feel. Ebenfalls von großem Einfluss auf CAGE waren. [39], At some point in 1934–35, during his studies with Schoenberg, Cage was working at his mother's arts and crafts shop, where he met artist Xenia Andreyevna Kashevaroff. Solo le encargan el caso Bakour, ya que el de Lebkir ha sido rapidamente archivado como un crimen de los integristas islamicos. In his 1999 book Noise, Water, Meat: A History of Sound in the Arts, Kahn acknowledged the influence Cage had on culture, but noted that "one of the central effects of Cage's battery of silencing techniques was a silencing of the social. Recent research has shown that Cage may have met Tudor almost a decade earlier, in 1942, through Jean Erdman: Technically, it was his second, for Cage previously collaborated with Kathleen Hoover on a biographical volume on, Cage self-identified as an anarchist in a 1985 interview: "I'm an anarchist.
to create his visual works. * Pflichtfeld (bitte geben Sie aus Datenschutzgründen hier nicht Ihre Mailadresse oder Ähnliches ein), Ihr Kommentar konnte aus technischen Fast ebenso berühmt wie 4’33“ ist John Cages Idee, das „akademisch verbotene, nichtmusikalische Klangfeld“ zu erkunden.
The technique was elevated to great complexity in later pieces such as Sonatas and Interludes for prepared piano (1946–48), in which many proportions used non-integer numbers (1¼, ¾, 1¼, ¾, 1½, and 1½ for Sonata I, for example),[82] or A Flower, a song for voice and closed piano, in which two sets of proportions are used simultaneously. Vielen Dank! Die typische Frage laute häufig noch: "Was wollen Sie mit ihrer Musik ausdrücke?‘. John Cage (Los Ángeles, 5 de septiembre 1912 - Nueva York, 12 de agosto 1992) fue un compositor e instrumentista estadounidense. [49] The two composers quickly became friends; some time later Cage, Feldman, Earle Brown, David Tudor and Cage's pupil Christian Wolff came to be referred to as "the New York school."[50][51]. Europeras I and II require greater forces than III, IV and V, which are on a chamber scale. After Cage replied that he would, Schoenberg offered to tutor him free of charge.[35]. Incluye diarios, mesósticos, aforismos, anécdotas, conferencias, poesías y ensayos, sin contar otros escritos de clasificación casi imposible. The latter work was written for David Tudor,[57] whom Cage met through Feldman—another friendship that lasted until Cage's death.
All of Cage's music since 1951 was composed using chance procedures, most commonly using the I Ching. Doch die Zwölftontechnik war für Cage nur der Anfang. 1 (1939) there are four large sections of 16, 17, 18, and 19 bars, and each section is divided into four subsections, the first three of which were all 5 bars long. In Child of Tree (1975) and Branches (1976) the performers are asked to use certain species of plants as instruments, for example the cactus. For example, in the case of Cheap Imitation, the exact questions asked to the I Ching were these: In another example of late music by Cage, Etudes Australes, the compositional procedure involved placing a transparent strip on the star chart, identifying the pitches from the chart, transferring them to paper, then asking the I Ching which of these pitches were to remain single, and which should become parts of aggregates (chords), and the aggregates were selected from a table of some 550 possible aggregates, compiled beforehand. Aber wie passt dieses Konzept zu dem, was in Halberstadt passiert? 1 (Fall): 50–81. From: For a performance of this piece on piano, see. I explained to him that I had no feeling for harmony. Around the same time, the composer also developed a type of a tone row technique with 25-note rows. Gründen leider nicht entgegengenommen werden. During this time, Cage pursued a macrobiotic diet. Es dauert 4 Minuten 33 Sekunden und es kommt kein einziger Ton. In 1987, Cage completed a piece called Two, for flute and piano, dedicated to performers Roberto Fabbriciani and Carlo Neri. John-Cage-Projekt: Im Ewigen das Plötzliche In Halberstadt wird seit 19 Jahren das langsamste Musikstück der Welt aufgeführt, John Cages Komposition "Organ²/ASLSP". werden Gegenstände zwischen die Saiten geklemmt, um Verfremdungen und Tonverzerrungen zu erzeugen. Between 1979 and 1982 Cage produced a number of large series of prints: Changes and Disappearances (1979–80), On the Surface (1980–82), and Déreau (1982).
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