Luca Guadagnino. That was liberating. That’s interesting. It’s also very Anglo Saxon. Physically, emotionally, in terms of intelligence, your interior world, your desire. It got me thinking about how many of your films use family meals as a setting for action and drama. Well, I thought about it. But showing campaign speeches and making Caitlin’s father a staunch MAGA supporter naturally brings politics into the fold. I’m not. Sign up for our Email Newsletters here. We’re sorry for you guys.’ And now, look: France is in lockdown, Spain is in lockdown, Austria is in lockdown, Germany is in lockdown. I can’t wait to work with her again. To read our full stories, please turn off your ad blocker.We'd really appreciate it. Given that the novel would have just come out when you were beginning to film, what about it spoke to you that made you want to immediately write it into your script? I can’t stop thinking about the opening scene in episode four, which concludes with a near three-minute slow-motion sequence of eight teens jumping around in a spirited paintball fight. Both Call Me By Your Name and We Are Who We Are focus on adolescent queer exploration. He’s a Trump voter. What I believe is that our lives, our identities, and our relationships with others come with mess, with difficulties, and with mistakes — constantly. Set on a military base during one balmy summer, Fraser dives deep into adolescent debauchery as he explores his sexuality, his identity and befriends his neighbor, Caitlin (Jordan Kristine Seamón), as they explore love, lust and nihilism. I try to be observational, anyways. What goals do you want to make happen before you turn 50 next year? What Luca Guadagnino Is Reading, Watching and Thinking About in Lockdown. By Luca Guadagnino. You struggle to understand the inevitable mutation that you are going to cross, constantly. If we think of these kids in 2016 and we want to dig deep into their identities, we need to understand who they listen to, how they listen, and what is the mood they are looking for when listening to music. Guadagnino is also producing the next film from director Ferdinando Cito Filomarino, a drama starring John David Washington titled “Born to Be Murdered.” The director is also working on a documentary about the shoemaker Salvatore Ferragamo. Luca Guadagnino (Italian: [ˈluːka ɡwadaɲˈɲiːno]; born 10 August 1971) is an Italian filmmaker. Observer: Congrats on the Salvatore Ferragamo film, which was so well-researched. I feel like I wouldn’t be able to grasp the multitude of the characters with a definition that somehow seems to homogenize them. Use of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Your California Privacy Rights. You really tap into this sense of teenage rebellion in We Are Who We Are. A leisurely piece of character-driven drama, We Are Who We Are is a fascinating depiction of teenage ennui and rebellion that frequently blurs the line between film and TV in the most beautiful way imaginable. Illustration: Julia Cherrualt/Observer; photo: David M. Benett/Dave Benett/Getty Images. This interview has been edited and condensed for clarity. Sign up for our weekly newsletter here. The most immediate to Guadagnino is his HBO series “We Are Who We Are,” which centers around the budding relationship between two teenagers living on an American military base in Italy. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Your Email. Mariella Luca Guadagnino. or. The one venture he had yet to try, in fact, was TV, something increasingly common for the auteur set. Before that the director had his most beloved film to date thanks to “Call Me by Your Name,” winner of the Oscar for Best Adapted Screenplay. And that’s what I want this show to explore. So I’m not necessarily someone who works for the theme of youth, per se. No. Be careful who wants to impose on you, telling you who you are. Nadja Sayej. Explore. Copyright © 2020 Penske Business Media, LLC. Somehow, Fraser is very happy to not be with the majority. I already struggle with the idea of Baby Boomers or Generation Y—I don’t know. Its observational, for sure. Log In. I thought about how I could make myself speak a different language for a different medium. They have a different relationship with those tools, of course. Do you think your tendency to set your stories there comes from a sense of familiarity or is there something resonant about Italy, as a concept? Before the lockdown the sentiment was, ‘Oh, you guys.
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