[4], Musical scorer Lutgardo Labad described the film as "a major cinematic coup that unearthed the inhuman conditions of our people then. The bill recognizes the Filipino community’s contribution to the history, economy, culture and heritage of Hawaii. Time and budget constraints prevented the production from doing reshoots. At the onset of the Great Depression in 1929, Filipino workers in Hawaii collectively sent $276,000 to the Philippines each month. Honolulu, Filipino History in Hawaii before 1946: The Sakada Years of Filipinos in Hawaii, The Filipino Century Beyond Hawaii: A report, https://en.wikipedia.org/w/index.php?title=Sakadas&oldid=981045102, Creative Commons Attribution-ShareAlike License, This page was last edited on 29 September 2020, at 23:21. Viewed primarily as instruments of production, they performed the most labor-intensive jobs (such as manually cultivating and hauling cane) and were paid less than other ethnic groups – an annual average of $467 in 1938, compared with $651 for Japanese workers, according to a 1939 Bureau of Labor Statistics report. Photos from the event can be found here. "[6], Film critic Mel Tobias wrote that "any book on Filipino films would be incomplete without mentioning Sakada. If you know of any sakadas, please call 808-987-8284. A press release from Governor Ige’s office can be found here. Sakadas are Filipino contract workers who immigrated to Hawaii between 1906-1946 to work as laborers for Hawaii’s sugar and pineapple plantations. [8] Unrest ensues after a sakada is shot to death by one of the plantation's security guards. January 2018 - Winner of "Best Featurette" at the Women's Only Entertainment Film Festival, April 2018 - "Heritage Award" from the DisOrient Asian American Film Festival of Oregon, May 2018 - Winner of "Best Documentary Short" from Honolulu Film Awards, June 2018 - "Silver Award" winner from Spotlight Documentary Film Awards. If you are looking for information on a relative or a friend that was a Sakada or Filipino plantation laborer between 1906-1949, please visit the Brigham Young University’s Filipino Laborers Collection, which comes from the Records of the Hawaii Sugar Planter’s Association at the Joseph F. Smith Library Archives and Special Collections. Check out the interview with Producer and Director, Maribel Apuya, here. [4], Sakada was the first film by director Behn Cervantes and scriptwriter Lualhati Bautista. Director Maribel Apuya is featured in the "2018 Filmmakers in the Spotlight.". HerStory Cinephilia Cinema at the Watkins College of Art (2298 Rosa L Parks Blvd, Nashville, TN 37228) on Saturday, Nov. 17 from 11:30am-1:30pm.
The Sakada ‘46 was the last major, organized Filipino migration to the U.S. As a first-time film director, Cervantes said that he had to deal with technical problems. [1], List of films about martial law in the Philippines, "Activist director Behn Cervantes, 74, dies", "Five films Imelda shouldn't have let you see", "Behn Cervantes, 74–drama and defiance to the last", "Video 48: Mga obar ni Lualhati Bautista", "Usapang Kultura: Terror and Culture under Marcos' New Society", https://en.wikipedia.org/w/index.php?title=Sakada_(1976_film)&oldid=980567727, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 September 2020, at 07:06. December 20, 2015 – The first Sakada Day celebration at the Hawaii State Capitol auditorium was a huge success. Filipina, the third film in The Sakada Series, will screen at the: Ithaca Pan Asian American Film Festival at the Cinemapolis (120 E Green St, Ithaca, NY 14850) on Fri, Oct. 12 at 5:30-7:30pm.
ABCinema aimed to feature "only the best local and foreign films that will make the Filipino audience more aware of their culture." [1][4][5] The director was also arrested under the order of Marcos. Jeny Ramos Bissell Lucy Peros | All photos courtesy Jeny Bissell This month’s Sakada Offspring, Jeny Ramos Bissell has a special motto to live by “Let life live for you in kindness for life is short-lived.” Jeny believes this motto resonates to her sincerest gratitude to her grandfather Juan Ganal Ramos (a 1926 Sakada who … Continue reading Sakada Offspring Especially The Sakada Series, it’s for the general public; it’s about culture and roots, which I feel is so important.” Agreeing, Stice hopes that Filipinos of all generations and backgrounds will appreciate their Filipino ancestry and realize that they have a lot to contribute to the community.
"[6], The movie follows the life of sakadas, or seasonal sugar cane farmers, and the hacienderos who own the plantations. The original sakada, migrant Filipino workers recruited as mass labor by the Hawaiian Sugar Planters’ Association in the 1920s to work on expanding sugar and pineapple plantations, didn’t have it easy. January 2018 - "Award of Merit" from Impact DOCS Awards for bringing creativity, grit and determination to topics raising awareness around the globe. Read about it at the Star Advertiser. Photos from the event can be found on our Facebook page. In addition to performing backbreaking work, the Sakadas found resourceful ways of living, including planting their own food, fishing and working extra jobs – while still sending money to the Philippines to support their families there. He said society's problems "remain the same and most of the time we change leaders but they’re the same dogs with different collars. The Sakadas played a lead role in the fight for labor equality within the plantation system; as the backbone of the International Longshore and Warehouse Union (ILWU), their support in numbers, courage and resilience ensured the victory of union strikes. [3], The Filipinos in Hawaii: the first 75 years, 1906-1981 : a commemorative book.
Honolulu, Hawaii – In events at the Capitol before an overflow crowd, Governor Ige held signing ceremony for HB604, which establishes December 20 of each year as ‘Sakada Day’ in Hawaii. The Sakada Series (35min) is a series of three short films that captures the personal stories, struggles and successes of the Sakadas and of the Filipino-American second-generation in Hawaii, within a cultural and historical context. In the post-war period, a different pattern of Filipino migration to the U.S. had emerged. In the essay "Terror and Culture under Marcos' New Society," Lumbera wrote that Sakada "exposed the abuses and injustices committed by landlords in cahoots with the military in the suppression of the peasant struggle for higher wages and better treatment. In the process, it stimulated the often infantile movie producers to acknowledge this unorthodox film, made contrary to the traditional formula of Philippine moviemaking. In an interview, Cervantes was asked about how young audiences in 2005 could relate to Sakada. Sakada was the first film by director Behn Cervantes and scriptwriter Lualhati Bautista. Between 1906-1946, over 100,000 Filipino men were recruited by the Hawaiian Sugar Planters’ Association to work as Sakadas for Hawaii’s booming sugar plantation industry.
Admission is free and open to the public.
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