tamar avishai the lonely palette

Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. [02:35] - What drew Dan to the painting as a teenager. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. There are good examples of using appropriate music, like 99% Invisible, so it is not the use of music that is the problem.. it is when it becomes distracting that it becomes a problem. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. [11:35] - The self-portrait that doesn't need our validation. Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. [21:58] - Thoughtprints! Search past episodes of The Lonely Palette. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and … read more Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. Host Tamar Avishai wants to make art more accessible and to help people feel more comfortable talking about what they see in museums. Gaither is also Special Consultant at the Museum of Fine Arts (MFA), Boston where he has served as curator for eight exhibitions including a ground breaking show in l970, Afro-American Artists: New York and Boston.Special thanks to Kerri Hoffman and PRX, Alex Braunstein and the PRX Podcast Garage, Gina James, and WGBH. I really like the way Tamar approaches each of the works of art, but find it impossible to get through an episode without being distracted by the use of inappropriate music. So grab a spelunking hardhat and together we'll mine these layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable.This episode was produced with support from the San Francisco Museum of Modern Art. Unfortunately that hasn’t happened here. The Lonely Palette is the best museum podcast out there. Missing the quick visits to the Nelson Atkins in KCMO, The Lonely Palette is filling that void.... Ep. Her layered, abstract creations convey a sense of unity and evoke memories that are both personal and universal. [09:25] - Drawing in thick, expressive lines. 49 - Claes Oldenburg's "Giant Toothpaste Tube" (1964), Somewhere between the life of the mind and the boots on the ground sits Pop artist Claes Oldenburg, who wants us to see that both of those worlds are one and the same, and that there's value, and even beauty, to our joy-sparking stuff (and maybe we can finally let ourselves admit it. Tamar is awesome!!! In honor of Juneteenth, we're re-releasing the audio of a live event from January 2018 at the PRX Podcast Garage, titled "Keepers of the Culture: A Celebration Of Maduna And Holmes." The Lonely Palette is the best museum podcast out there. ), host and producer Danielle Monroe posted this interview we had recorded the week before for her podcast "Artists of Camberville." Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. The art of postwar German artist Anselm Kiefer and the poetry of Holocaust survivor Paul Celan have a lot in common. 48 - Anselm Kiefer's "Margarete" and "Sulamith" (1981), Re-ReleaseEp. For more information, visit, Somewhere between the life of the mind and the boots on the ground sits Pop artist Claes Oldenburg, who wants us to see that both of those worlds are one and the same, and that there's value, and even beauty, to our joy-sparking stuff (and maybe we can finally let ourselves admit it.) I enjoy listening to her talk about each artist/the works. Thoughtful, insightful analysis that is well researched and a gateway to further research. [08:17] - Self-portraits in high school. I really like the way Tamar approaches each of the works of art, but find it impossible to get through an episode without being distracted by the use of inappropriate music. Yet Maduna returned to the neighborhoods of his childhood to create pieces that remind us of the African heritage that many in the community share. Django Reinhardt, “Django’s Tiger” Tamar Avishai July 19, 2019 Female Artist, Surrealism, 20th Century Art, Magical realism, Post-Colonialism, Mexican Art, Diego Rivera. On October 10, 2018, both the Museum of Fine Arts, Boston, and Cecilia Vicuña herself were generous enough to give me the opportunity to take a few moments away from the installation of "Disappeared Quipu" and interview Vicuña. You can often find her at the MFA, giving 15-minute lectures in which she expertly ropes unsuspecting people into a painting’s context, with all the intrigue and human connection that history can offer. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and … read more. She uses her experience as a Spotlight Lecturer at the Museum of Fine Art in Boston as a jumping off point for her relaxed and unconventional approach to art history. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her.

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