David Mackenzie is certainly no slouch when it comes to directing this picture, but despite the competent hands behind the camera, Sheridan’s script emerges as the clear voice of the film. To revisit this article, select My Account, then View saved stories. Mackenzie’s portentous stateliness and Phillips’s hectic energy are more or less the same thing—filmmaking as editorializing, with the rueful gloom of despoiled rural life and the go-getting bravado of enabled and encouraged hustlers as two sides of a rapid and superficial diagnosis that’s meant at the same time to be part of the treatment. (The movie does include one brilliant comedic riff, in a local restaurant, with a venerable waitress dishing out a memorable line to her customers—“What don’t you want?”—that would be a worthy plug-in to more or less any movie featuring an old-timey dive.). We can’t, fully. (317) 300-8782, Early voting begins this weekend at Perry Township Government Center, City officials celebrate construction of new West Perry Library Branch, Franklin Township chef/writer publishes latest horror novel, Perry Meridian Middle School awarded $100,000 fitness center. It’s a dialogue that’s dead quiet but bristling with menace, both open-ended and bitterly conclusive. *This article appears in the August 8, 2016 issue of New York Magazine. Hamilton soon realizes that Texas Midlands is the ongoing target, and the two lawmen stake out the branch that, they calculate, will be hit next, setting up a deadly Western-style confrontation. All rights reserved. Gradually, we learn that it was Toby, a divorced father with no criminal history, who enlisted the volatile ex-con Tanner in this scheme, with the intent of giving his kids an economic security that he never had. In “War Dogs,” directed by Todd Phillips and based loosely on a true story, it’s the federal government and its client states that are being scammed. Already a subscriber? Efraim, an arms dealer who says that he got his start buying and (legally) reselling weapons seized by the police, now trawls lists of available Pentagon arms contracts and picks up small deals that big companies overlook. Though “War Dogs,” told from David’s perspective, is adorned with his voice-over, it has no more subjectivity—not the character’s, and not the director’s—than does “Hell or High Water.” Both films feature characters whose personal traits mesh with the action as purely and perfectly as gears in a machine; nothing superfluous to the action is allowed in, except as a conspicuous ornament of humor or local color. The ensuing truck trip over the border and through Iraq, undertaken at great risk and leading to an armed battle—dangers played for laughs—gives the pair an inflated sense of possibility. Jamie Lynn Spears Updated the, Tekashi 6ix9ine Sued by 13-Year-Old in Sex-Video Case, The Rudy Giuliani Moment Going Viral Is Good for, Amber Ruffin Is Done With People Pretending They Can’t Pronounce ‘Kamala Harris’, “Kamala is barely any different than Pamela, and there’s not a white person alive who doesn’t know a Pamela.”, A Concert Review! “War Dogs” presents the Iraq and Afghanistan Wars as follies of privatization, in which the Bush Administration, seeking to wage them on the cheap (and, along the way, help its corporate cronies), opened the door to the kind of corrupt practices that the movie raucously satirizes. (Texas Midlands will end up being both the source of Toby’s misery and his unwitting savior.) “War Dogs,” starring Miles Teller and Jonah Hill, exemplifies a kind of bad filmmaking that has lately taken on a particular cachet. All bad movies are alike; all good movies are good in their own way. These movies and others in their vein—starting with but not limited to such Oscar candidates as “The Big Short” and “Spotlight,” “The Danish Girl” and “45 Years”—suffocate in their makers’ intentions. Wait, doesn’t this just sound like, well, movies? Pine, meanwhile, gives Toby considerable stature. The haunting neo-Western Hell or High Water unfolds in present-day West Texas, where bank-robbing brothers (played by Chris Pine and Ben Foster) target small branches of the Texas Midlands Bank in tiny towns separated by miles of desert and scrubland, while the Texas Ranger (Jeff Bridges) who hunts them muses on their motives. This is the kind of Western in which we know there will be blood but pray there won’t be, because the violence is bound to be gratuitous, absurd, with a needless finality. Toby and Tanner Howard (Chris Pine and Ben Foster) rob banks. Ad Choices, The Authentic Joy of “Southside with You”. Mackenzie isn’t given to fatalism, though. One major example, “War Dogs,” opens today, and another, “Hell or High Water,” came out last Friday. There’s a restless kind of resentment in the air, and the archetypes are topsy-turvy. We regret the error. Hell or High Water is available to stream on Netflix now and is a perfect way to spend your time while you practice social distancing. See How Justin Bieber’s 2020 Is Going In YouTube Doc. They have guns, ski masks, getaway cars, the lot. The result depends on the originality, the depth, the intellectual insight, the emotional complexity of the ideas behind the plans, the inner motor of the intentions.
© 2020 Condé Nast. © 2020 Vox Media, LLC. Can’t think of a better reminder that every vote counts than to interview people who lost their elections by just one vote. Despite being a relatively clean-cut, if not troubled man, Toby turns to his reckless brother, Tanner for help robbing the banks and laundering the money. With his dirty-talking, horse-laughing, sentiment-streaked, won’t-take-no-for-an-answer vehemence—and with bong hits, lines of coke, and a machine gun flaunted in the face of drug dealers—Efraim pulls David along for the ride. Struggling to make ends meet and fearing his son growing up without options to make a decent living for himself, Toby Howard plans to rob banks to pay off his debts in order to secure a better future for his son. Two brothers in West Texas, Tanner Howard (Ben Foster), a convict recently released from prison, and Toby Howard (Chris Pine), an unemployed and divorced father, have a … Learn how these great fish came from the Pacific Ocean …
To revisit this article, visit My Profile, then View saved stories. Lureena Cornwell Can Teach You How to Thrift. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. *Sorry, there was a problem signing you up. O.K., maybe not all bad movies, but there’s an exemplary kind of badness that’s so prevalent in the history of cinema, and that forms such a substantial part of the medium today, that it at least seems like it fits all of them. “Everything Is Cinema: The Working Life of Jean-Luc Godard. He finally got some attention for Starred Up (2013), in which the horror was built into the title — the term for what happens to teenagers judged too violent for juvenile lockup and transferred to adult prisons. The one respite from this, of course, is Bridges, whose sly, guttural inflections and silent gestures—down to the tilt of his head beneath the outsized brim of his hat—are more eloquent and expressive, more alive, than anything he’s given to say. In praise of one of the best senses of humor in pop music. Breaking down what went into distinguishing the series’ many matches from one another and from all other onscreen portrayals of the game. The chameleon Foster plays Tanner as a man who can’t stop challenging people, pushing every exchange into the red zone, sometimes for better (he entices an amused hotel receptionist into bed) and more often for worse. In “Hell or High Water,” directed by David Mackenzie, the stakes are altogether different. This is a work of broad scale and deep feeling, a film to make you excited about the potential for finding new stories in old places. Hell or High Water is a rare humanist Western: Finality is the true villain. But both movies are as flat and schematic as the scripts behind them; both could be done as table reads with settings green-screened in. We’ve all done one of them calls at four o’clock in the morning.”, Samantha Bee’s ‘Panel of Losers’ Won Late Night This Week.
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