One of the worst performances of my…. And as anyone who has spent any time in a big city can tell you, that's really not all that uncommon, particularly for people in the age range of our central characters in this particular film. the constant noise becomes monotonous. This movie is "fun" in every way that "Parasite" isn't. A stunning portrait of the hopeless frustration of disaffected youth. The only audio option for the feature is an Mandarin language Dolby Digital 2.0 Stereo track with forced subtitles provided in English only. The thematic connections between these 10 Laura Veirs songs and our current situation are somewhat coincidental, or maybe just the result of kismet or karmic or something in the zeitgeist. That bassline will play in my head for the rest of the week. It's never really explained why he has a sudden fascination with these young men as he never speaks in this film, aside from one or two lines. ‘青少年哪吒’ Waylon Payne details a journey from addiction to redemption on Blue Eyes, The Harlot, The Queer, The Pusher & Me, his first album since his 2004 debut. IMDb It makes you feel so small, so insignificant. Política de privacidad / condiciones de uso. people brush past, the cars come so close that you can hear their engines rumble. Teenage Wasteland: A Comprehensive List of Coming-of-Age films, Pride: A Chronological History of Queer Interest & LGBTQ+ Cinema, FINISHED PROJECT: 1001 Movies You Must See Before You Die by (all) members of Letterboxd, The Absolute Beauty in Everyday's Mundanity. I saw this movie at the Nuart Theatre in Los Angeles and really enjoyed it. Chen Chao-jung Lee Kang-Sheng Lu Yi-Ching Miao Tien Jen Chang-bin Yu-Wen Wang, Central Motion Picture Corporation Golden Harvest Productions, Rebeldes do Deus Neon, Rebellen im Neonlicht, Επαναστάτες του ηλεκτρικού θεού, Neonisten gyermekei, Buntownicy neonowego boga, Os Rebeldes do Deus Neon, Qing shao nian nuo zha, Teenage Nezha, Teenage Norcha, 106 mins TMDb There was an error retrieving your Wish Lists. No final, buscar pelo feminino para preencher esse vazio (seja com sexo, com um abraço ou apenas um telefonema). This melding of style is done subtly and deliberately. We work hard to protect your security and privacy. Rad movie. Tsai has built his career on films about characters who are trapped in some way, literally or figuratively, and here…, Films that encapsulate that quote from Tenet (2020). Unable to add item to List. Rebels of the Neon God is Ming-liang coming out of the gate swinging, establishing himself as a formidable filmic force. Film data from TMDb. The Movie: Directed by Ming-liang Tsai in 1992, Rebels Of The Neon God is essentially a story of youth gone wild and teenage rebellion, but even here, in his directorial debut, the director manages to put some interesting touches on a genre that's been done to death over the years. but at the end of a long day when your heart is empty and you feel alone, you can remember that there’s someone out there who loves you, no matter how broken you are. On the following morning, Hsiao-Kang decides to disenroll and pocket the tuition refund from his college preparatory class, and returns to the parking area to discover that his scooter has been impounded. It stars Lee Kang-sheng, Chen Chao-jung, and Jen Chang-bin. the constant noise becomes monotonous. The subtitles are clear and easy to read and there are no problems with any hiss or distortion to note. But they are more like the games themselves: dark mazes of overwhelming sound and flashing neon that you can get trapped in for hours or even days on end. Incredible! So throughout this film we just watch young men wander around the city without real purpose and it does so in a way that isn't ever depressing. The DVD release looks and sounds alright but is light on extras. Through this film, we follow 3 young men as they basically just exist without any true reason to what they do. The kind where their humanity breaks through just a bit. Rebels of the Neon God, Tsai’s feature-length debut, follows an aimless student named Hsiao-kang (Lee) who lives in a crumbling Taipei apartment building with his parents. The ending is vague but I have my own interpretation of it that I’m definitely satisfied with. you don’t know what to do with these feelings. people brush past, the cars come so close that you can hear their engines rumble. the city feels alive and the colorful lights make me wish i was actually there. Refuge comes in the form of stained rooms, where kids can briefly reveal themselves before hiding once more in the apocalyptic adult uproar. All that is, except this film I'm reviewing: REBELS OF THE NEON GOD. A rebeldia da juventude como o único modo de vida possível na alienação da cidade grande. * *Nobody cares if you don't think…, Ivica_Pusticki 1,000 films 10,326 1336 Edit, You all heard about that famous book called "1001 Movies You Must See Before You Die", right!? My first encounter with Taiwanese cinema, something that's intrigued me for a while now, and I'm certainly not one bit disappointed! Canadian singer-songwriter Helena Deland's first full-length release Someone New reveals her considerable creative talents. I love it when films aren't afraid to…. All drifting through the bustling bright darkness of Taipei. A cram school dropout. Tsai Ming-liang isn’t for all tastes, but moviegoers with the patience to watch an 11-minute shot of a man mauling a cabbage (Stray Dogs) or a nearly dialogue-free epic about the final night of a repertory theater (Goodbye, Dragon Inn) are rewarded with indelible meditations on the loneliness of modern life. The performances here are good. You cannot live up to the standards of gods. Tears replace wrath. Whereas the protagonist has a clear explosive arc in the end, his antagonists have a much smaller, internal arc that are much more my vibe in a story. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Sofia Coppola's domestic malaise comedy On the Rocks doesn't drown in its sorrows -- it simply pours another round, to which we raise our glass. [Tsai Ming-liang: Ranked] Unlike the desolate, depopulated Taipei featured in most of Tsai Ming-liang’s remarkable oeuvre, Rebels of the Neon God (Qingshaonian Nezha), the Malaysian-born Taiwanese master’s first full-length feature, introduces us to a bustling, neon-lit, more volatile metropolis one tends to encounter in the films of Hou Hsiao-hsien and Edward Yang. Malaysian filmmaker Tsai Ming-liang broke into the arena of world cinema in the early ‘90s with the confidently-mounted Taiwanese film, Rebels of the Neon God. Please try again. Teenage Wasteland: A Comprehensive List of Coming-of-Age films, Pride: A Chronological History of Queer Interest & LGBTQ+ Cinema, FINISHED PROJECT: 1001 Movies You Must See Before You Die by (all) members of Letterboxd, The Absolute Beauty in Everyday's Mundanity. The second follows two petty thieves, Ah Tze ( Chao-jung Chen) and Ah Bing (Chang-bin Jen), and the relationship that Ah Tze forms with Ah Kuei (Yu-wen Wang), a shopaholic girl that seems to spend most of her days working at a roller disco. It’s done so well with them that I really wish the protagonist had more of it, which I think is where the movie falls a little flat for me. Incredible! --Tony Rayns, Time Out LondonA near-masterpiece, and one of the most assured and accomplished debuts of the 1990s...as close as contemporary filmmaking gets to the essence of poetry. Whereas the protagonist has a clear explosive arc in the end, his antagonists have a much smaller, internal arc that are much more my vibe in a story. rain, crowds, streetfighter. also idk but i feel like this is what i was supposed to be feeling for the wong kar-wai films that i've watched but didn't hit :") lol, loneliness and restlessness of youth but make it a vibe. Given the turmoil of the era, you might expect Lydia Loveless to lean into the anger, amplifying the electric guitar side of her cowpunk. He likes NYC a lot, even if it is expensive and loud. intimations of haunting. you see him and you feel reborn. After a violent encounter with a pair of delinquents (Chen and Jen), Hsiao-kang grows obsessed with the thugs, stalking them as they play Street Fighter II and motorbike around town with a girl whose cut-off jean shorts never let you forget when the film was shot. Rebeldes del dios Neón es una película dirigida por Tsai Ming-liang con Lee Kang-sheng, Jerry Chan, Yu-Wen Wang, Jen Chang-pin, Miao Tian. A stunning portrait of the hopeless frustration of disaffected youth. Lost and found. Most of the time, he's alone with his guitar and a haunting mellotron. Just like the USA edition of this program from last week, in each of these films, cities themselves are co-stars with the human protagonists. The stolen video-game boards remind me of the stolen typewriters in "The 400 Blows"! neon punk and no escape from desperate longings. Even if this film is slightly more conventional in its storyline than Tsai’s other features, it deserves to…. Defying his parents, disaffected youth Hsiao Kang drops out of the local cram school to head for the bright lights of downtown Taipei.
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